Consider the life-size installation called Kitchen, (1995) replete with appliances, furniture, even water in the sink, an apple pie in the oven and debris in a dustpan, the entirety of the surfaces of which artist Liza Lou spent five years beading painstakingly, with the result that every facet of Kitchen glittered spectacularly. Think of the American artist Jim Dine, arms folded tightly over his barrel-shaped chest, staring sternly from and looming tall over the corner of a house" he fashioned in 1960 in lower Manhattan as a temporary installation comprised of thick layers of the detritus of consumer culture (Kaprow #68). Today, House exists as a photograph only.Īfter mid-century, the appearance of homes in and as visual art has served especially as occasion to treat middle-class family life as a melodrama inflected by forces of capitalism, mass culture, gender, and other discourses shaping and shaped by power. The process of casting destroyed the building and a year later, the concrete cast was bulldozed. The original Victorian, terraced building in East London that furnished the starting point for the project was cast in concrete in 1993 by sculptor Rachel Whiteread. Another art project dissolved signs of domestic life into a representation publicized intensely by the art world and mass media, followed by its erasure. This was Home" (1960) with a capital H," a normally functioning house located in Southeast London that exhibited fifty works of art to the public (Millard 58).
A more recent project focused less on personality than it highlighted what we expect to happen, or not, in domestic spaces. Chiefly, Kidder shifted the focus from execution gone awry to a nuanced, socio-psychological account of how building a home reveals as well as modifies the identities of individuals involved. Blandings attempted to maintain control over the complicated process of designing and constructing a home for his family. In a novel called House (1985) author Tracy Kidder updated the postwar tale of blunders set in motion as Mr. Blandings Builds His Dream House appeared as a book based on an article published in Fortune magazine in 1946, middle-class domestic structures and spaces, and activities occurring in relation to them, have supplied authors and artists with a wealth of themes for creative exploration.
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For full citation information click on the thumbnail of each image. Interior installation view, "Whispers from the Walls," 1999.Īll images courtesy of the artist and D.C.
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